It's Frustrating That This Has Become A Chess Piece In USA Reactionary Thinking And That The Obvious

Healthcare is a human right! End the genocide! Free Palestine!

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plenty of sea in the fish or some shit like that idfk

John Caple (British, born 1966) Wild Horse, Full Moon, 2015 Acrylic on canvas

Javier Arizmendi-Kalb (Mexican, b. 1960s), JUNTO AL HUMO, 2022. Oil and oil crayon on canvas, 72 x 60 in.

It's the Martyr's Prize Diamond gaze Eyes like pimples simple Simon I gotta make ends meet skim the water line like I'm taking a seat Saving my tears for the marginal me and the me that was made to eat me

Ayyyyy but give the pamphlet thank god, it's a dress code nothing bad happens to hamlet said I, among the nonfiction fates thank god for these men and their women the women who operates to realize her own oppression her own demise confessions to concessions til the fins congregate til they take us to heaven without the lessons This is how we destroy we this is how we forsake we we been dead for weeks tools for the fool and weak tools from the master subscription code inheritance of the meek never get old fire for thine eyes hooked without the hook you made it this far, look you've been dead for weeks happy feet disappearing in god fearing tar buy a bigger car never get old

Eleni R

Listen/purchase: On by AhMerAhSu

The figure of yourself (name redacted) appears at the corner of Aesthetics and Nostalgia

So the roulette wheel of impressions disappears behind curtains where on stage, who should near

The stranger to yourself who inhabits your stare above, beneath With teeth like plastic chairs

The figure of yourself (name reviled) desires their gruesome styles and their teeth and perfect hairs

repeat as needed, yourself (name unimportant) will see the curse a message you will not heed

repeat as needed, yourself (arguably? who cares?) will see that this is the only way, to feel

Eleni R

again and again and again and again

ᴇᴢʀᴀ ᴊᴀᴄᴋ ᴋᴇᴀᴛs Artwork from his 1962 book The Snowy Day.

Aino-Maija Metsola ( b.1983 Finland) ‘Ahdinparta (Cladophora)’ 2019

watercolour, gouache and ink on paper