What Is Buggy's Endgame? A Post-1082 Analysis

What is Buggy's Endgame? A Post-1082 Analysis

Since the release of chapter 1082, we’ve gotten more insight into Buggy’s character than ever before, especially regarding his dreams and thoughts on past events. So, given our new information, I thought I’d revisit Orange Town Arc to see if 1082 re-contextualizes anything. What’s in the cards for Buggy as a character? What direction does Oda plan on taking him in?

To give you my answer, let me begin in a bit of a random place: the relationship between Shanks and Buggy. 

From the moment Oda first introduced their relationship in chapter 19, Shanks and Buggy already solidified themselves as character foils. Their first panel together is literally a fight over whether the North or South Pole is colder, which is pretty on the nose if you ask me (sorry… I had to). Their red-blue color contrast is also pretty self-explanatory; although green is technically red’s complement, red and blue are often used as visual “opposites.”

Manga panel of Shanks and Buggy fighting over which pole is colder. They have each other by the shirts, teeth clenched, sweaty. "It's the North pole!" Buggy says. "No," Shanks says, "it's the South Pole!"

Beyond all that surface level stuff, though, what makes these two foils of each other are their opposing values. As a pirate, Shanks wants to “make time to see the world." He has no sense of urgency and no inherent desire to conquer the world — at least, not right away. Buggy, of course, calls this a “soft way of thinking.” Unlike Shanks, he views treasure as the sole purpose of being a pirate. And not just any treasure, but material wealth, gold and jewels which "make its possessor a king."

Manga panel of Buggy. His head is thrown back, laughing at the mayor for calling the town and its people treasure. "You senile old fool! The only treasure here is for termites! Gold and jewels are treasure! Treasure sparkles and makes its possessor a king!"
Manga panel of young Shanks as a cabin boy, talking to Buggy about the future. "As captain of my own ship! I'll make time to see the world," he says. "I'll do some pirating along the way, of course."

Shanks and Buggy’s contrasting viewpoints also embody the underlying themes of Orange Town Arc. One man's trash is another man's treasure, and Oda takes great care to emphasize this point, from Chouchou to the mayor.

Manga panel. Right panel shows Luffy and Nami, speechless. Left panel shows the mayor of Orange Town shouting, "This town and its people are my treasure!"
One Piece manga panel. Nami asks, "Then why does he still guard the store?" (Referring to Chouchou the dog, who is eating food out of a bowl directly beside a caged-in Luffy.) The mayor responds, "This is his master's store... It's his treasure."

Luffy's hat ends up taking center stage in Orange Town, however, which I think is a great decision. The straw hat is what tethers Luffy and Buggy to Shanks. It's a weighted symbol, one that helped shape both of their characters — albeit in antithetical ways. Thus, when it’s used as a tool to explore their relationships, it works really well.

Take Luffy, for example. In his youth, Shanks was a pillar of support, friendship, and sacrifice; the straw hat is his treasure because it reminds him of Shanks, but also because it symbolizes what Shanks gave up for him. He owes his life to Shanks, but he uses that gratitude to fuel his own ambition, and to hopefully reunite with Shanks one day as a great pirate.

Shanks allowed him to go after his dream. Luffy knows this well.

Manga panel of Luffy looking down at his straw hat. "I treasure this hat because a friend gave it to me a long time ago," he says, happy and seemingly nostalgic as he talks about Shanks. "That's when I swore I'd gather a crew and become a pirate."

Now look at Buggy. He sees the straw hat as worthless, and it’s clear why he does: it’s a painful reminder of the dream that Buggy gave up on, a representation of everything he lacks in comparison to Shanks. And to add insult to injury, Shanks gave that straw hat away to what Buggy sees as an insignificant kid. Of course that would hurt. Seeing Shanks give up Roger’s legacy so easily, abandoning his potential to become Pirate King, when that’s all Buggy ever wanted in life… I mean, wow. It's an amazing role reversal. Buggy gave up on his dream for Shanks, but Shanks gave that dream to Luffy instead.

Manga panel of Buggy. "When I sailed with Shanks... He shone so brightly with potential," he says, beaten and bruised. "I knew I couldn't measure up, so I let go of my real dream...!!" 

Behind him is a flashback of Shanks smiling as he holds a sword. He is likely being praised by Roger, who has a hand on his hat and a matching smile on his partially-obscured face. In the far background, Buggy is peeking around a corner, watching them with a frown.

I think 1082’s context adds some much-needed character depth, and explains a lot of Buggy's rationale. We know Buggy does not value sacrifice or friendship like Luffy does, nor is he the type to go out on a limb for someone. He’s greedy, manipulative when it suits his interests… I could go on forever. So to see that Buggy once sacrificed his own dreams for the sake of Shanks’ — only to have it backfire — makes so much sense. Of course he became a bitter, cynical, and selfish adult. One of the people he believed in most broke his unwavering trust, and he never healed from that experience. (Not to mention that this happened directly after Roger's execution. His faith was already shaken, and it was just one heartbreak after the next.)

The impact of that betrayal only feeds into his greedier tendencies; Buggy is a character who keeps things close to his chest, figuratively and literally. He learned to fear trust, and it shows. All of his adult relationships (Alvida, Galdino, Crocodile, Mihawk) are strictly rooted in business and mutual, self-serving interests. Nothing more.

Just take a look at Buggy and Luffy's reactions to the Bara Bara no Mi story. Buggy can only focus on the things he lost, instead of what he had: a friend who was willing to jump overboard for him in a heartbeat. But Luffy, a character who values the people he loves, obviously has a different perspective. He concludes, “So Shanks saved your life?” Where Luffy sees hidden treasure, Buggy sees nothing but loss.

Manga panel of Buggy and Luffy's fight in Orange Town, after Buggy explains his history with Shanks. "Hmmm.. So Shanks saved your life!" Luffy says, unconcerned, a smile on his face.  Buggy responds with comical anger, yelling, "So what!!? It was all his fault! He foiled all my grandiose plans!"

So why am I bringing this all up? Well, I don’t find it surprising at all that two of Buggy’s most prominent arcs — Orange Town and Impel Down — emphasize his struggle between selfishness and altruism. The internal conflict is played off as a joke in Impel Down, but Buggy has always been simultaneously comedic and complex. He actually parallels Luffy in that sense, but that's another meta for another day.

Manga panel of Buggy in his Impel Down prison uniform, sobbing both excessively and comically. Tears are overflowing, snot is dripping from his clown nose, and sparkles are surrounding him as he thinks to himself: "Don't look at me like that! I'm a scoundrel... A no-good pirate! You shouldn't trust guys like me!"

The position Oda has placed Buggy in is rife with potential. He's now closer than ever to the things which would fulfill his materialistic nature: the One Piece, Captain John’s treasure, and the title of Pirate King. Yet, at the very same time, he's closer to one of his most honest connections in life: Shanks. If there was ever a time for a character to be forced to make a fateful choice, I’d say it’s right about now. People have been wondering why Oda made Buggy a final contender for the One Piece. Why has he “failed upwards” for so long? Comedy aside, I think the answer is a lot simpler than we’re all making it out to be: Buggy’s story just isn’t over yet. 

Oda still has something he wishes to impart to readers, and he clearly believes it will be told best through Buggy’s character. Based on what we know about Buggy — his greed, his guilty conscience, his past with Shanks — I think that story will lead his character to some very interesting places.

Do I think Buggy is going to have a change of heart? Maybe, maybe not. In that regard, he’s already been in a gray area since Impel Down. I wouldn’t be surprised if he accidentally ends up allying himself with Luffy again during One Piece’s conclusion. But with the Cross Guild putting bounties on marines, a (potential) three-emperor interest in going after Blackbeard, and an open-ended Shanks-Buggy plot thread about going to Laugh Tale... Well, there's a lot of places this could go. Would Buggy be willing to give up the greatest treasure in dire circumstances? For Shanks? For the world? Will he become king, and then lose it all? Will he make a sacrifice that parallels Shanks' when they were kids? Who knows!

What do you guys think? Is Buggy going to play a larger role in One Piece’s third act? What is your ideal conclusion for his character in the story? I'd love to hear your thoughts.

More Posts from Doyoulikeslimes and Others

9 months ago

SEASON 2 AND NEW ASHK TRAILER HERE!!! AAAAAAA CLOCK KEEPER ARC INCOMING AND THE GENDERBENT ASHK CHAPTERS RAHHH

1 year ago

Gear 5 evolution

I love how Oda shows that Gear 5 is getting more powerful. Not through how much destruction it causes, but that Luffy is now using other kinds of slapstick.

When fighting Kaido Luffy was using body/environment squish and strech (I have no idea what any of the terms I'm trying to use are). Growing in size, bouncing off the ground, turning Kaido into a balloon and jump rope, most of that fight had rubbery qualities to its gags, even the eye stretches can be categorized as stretching, as none truly fell out. (Ussop is able to do a similar thing with the wasabi grape, but that's a whole nother post and another reason for his godhood.)

Against the Gorosei though, he's turned them into paper (which is distinctly NOT rubber,) had all his scars blown off, and created a baseball bat and helmet with paint seeming out of nowhere!

Oda is making it so that Luffy can do anything to anyone so long as it'll get a laugh from us, and while I'm not qualified to do an analysis on that subtle 4th wall breaking. I for one can't until he does the ultimate attack and shoves Pies into all their faces!

9 months ago
Spiraling About The Framing Here… The Way Tsukasa Is Specifically Positioned With These Two Marks So
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spiraling about the framing here… the way tsukasa is specifically positioned with these two marks so visibly on display, one so temporary it’s drawn like it’s already fading deeming him guilty and the other so solid and near-permanent deeming him the most important and beloved thing in hanako’s life… the way the guilty mark is on his hand marking what he does (if we take hands to represent actions) as making him guilty but the mark of love, which as we know from sumire could be anywhere on his body, is right on tsukasa’s face... the way love is so much stronger than guilt and blame

it reminds me so much of:

Spiraling About The Framing Here… The Way Tsukasa Is Specifically Positioned With These Two Marks So

I know we don’t have confirmation that he’s talking about tsukasa here, but even if it’s just thematically, the faded guilty stamp and the permanent yorishiro seal are so reminiscent of amane defending this person unrelentingly, never budging, and paying little to no mind to tsuchigomori’s condemnations of this person’s actions. the faded stamp and bold seal contrasting so heavily to say “actions are so fleeting and always changing but love is unwavering.” amane protects this person despite what they’ve done to him. amane kills tsukasa and tsukasa comes back marked as the pinnacle of hanako’s love. actions and guilt and blame are so complicated in tbhk, but love always endures. and it’s all shown so succinctly in this one image of tsukasa this chapter

2 months ago
All Of The Panels With Dazai With A Cold From The BSD Anthology 🥰 Him Being Perfectly Normal With
All Of The Panels With Dazai With A Cold From The BSD Anthology 🥰 Him Being Perfectly Normal With
All Of The Panels With Dazai With A Cold From The BSD Anthology 🥰 Him Being Perfectly Normal With
All Of The Panels With Dazai With A Cold From The BSD Anthology 🥰 Him Being Perfectly Normal With
All Of The Panels With Dazai With A Cold From The BSD Anthology 🥰 Him Being Perfectly Normal With

all of the panels with Dazai with a cold from the BSD Anthology 🥰 him being perfectly normal with a 39.8°C fever is so very Dazai of him...

8 months ago
Once These Two Admit To Their Feelings, I'd Like To Think Moomintroll For A Short While Tries To "flirt"
Once These Two Admit To Their Feelings, I'd Like To Think Moomintroll For A Short While Tries To "flirt"

once these two admit to their feelings, I'd like to think Moomintroll for a short while tries to "flirt" with Snufkin same way as he did with Snorkmaiden, acting all noble and gallant - but Snufkin hates it.

instead, Snufkin, to contrary belief, much prefer physical contact, he just sucks at initiating it. I might have heard once that the acts you do to/for your partner reflects what you prefer yourself - and I may be partial to stories where Snufkin touches Moomin's nose lovingly, so... boop 😏😏

I haven't been drawing in a while and I miss it... 🥺 I miss these two, somehow, though the brainrot is still real...

2 months ago
“Sorry There Weren’t Any! Goodbye 🎵”

“Sorry there weren’t any! Goodbye 🎵”

2 months ago

I'm starting to believe that Dazai's Good-bye speech was legit meant to be a misdirect for Fyodor, but then Chuuya went brlbrl and Dazai's actual feelings got involved, so he cut it short

1 year ago

You have a lot of thoughts about Sanji and how the Germa modification may come back to bite him later in terms of his own free will (& I agree that it will eventually come up)—but do you have any thoughts about Luffy having a mythical Zoan and whether Nika might be bleeding over into him? Zoan fruits supposedly have a will of their own especially after awakening, and I’m guessing mythical humanoid ones might take that a step further.

I remember being super unsettled by Gear 5 up until Luffy officially reiterated that he’s Luffy, going to be the pirate king, etc. There was something really eerie about it to me, like I was legit concerned that we were looking at something that wasn’t Luffy anymore.

What does it mean for Luffy, who ultimately is a personification of freedom and free will to be potentially a reincarnation of Joyboy/some sort of prophesied person with a destiny? Does it run kind of counter to his whole character? Is it fine so far because Luffy and Nika/Joyboy are so similar, and could that change?

Interested if you have any thoughts about it! Love your character analysis videos.

I've said this on twitter ages ago BUT somehow I don't think joyboy is gonna be a reincarnation or anything. I feel it's just the gum gum fruit itself has a will that it couldn't carry out 800 years ago with its previous user, and it's now found Luffy who can help carry out its will with Luffy's own. Ie, Luffy has not been forced on a path as the chosen one, he's simply so strong of mind and soul that the fruit has found someone to help it reach its peak form and power.

People like Luffy are a rarity, in terms of their pure determination and guts. Luffy makes his own path, and now he's yanked into the soul of his devil fruit, and has forced it to awaken for his own gain. But, since one piece is about continuing wills, it also makes perfect sense that either joyboy or the fruit itself has a will that Luffy is picking up. This is by no means fate, and is instead Luffy tearing the world apart due to who he is.

I also do think there's a possibility of devil fruits overtaking someone's mind and soul, but I don't know! Haven't seen that happen yet I think, so I'm keen to find out!

Also thank youuuu! 🫶

9 months ago
⚠️ SPOILERS FOR CHAPTER 344⚠️

⚠️ SPOILERS FOR CHAPTER 344⚠️

@theinkymystery

2 months ago

I have some opinions on this official art

I Have Some Opinions On This Official Art

I saw it brought up quite a lot when Dazai “died” last year but now that kunikida is “dead” (no I won’t admit he is dead without more proof, I learned my lesson) it’s being brought up a lot more. I feel like it doesn’t quite fit that this is the forshadowing for either Dazai or kunikida a “death” bc both of them were at the hands of Fyodor. And based on my perception of the story, the port mafia is not really teaming up with Fyodor. I mean they were against them during the Canibalism arc and I don’t think Mori took very kindly to being almost murdered.

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I can kinda draw n stuff

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