Dazai: Self Deprecating Comment That Asserts His Own Bias That He Is Not Good/human And Therefore His

snufkin: melody of moominvalley moments that have made me bark out an ugly laugh (so far)

So I read the junior novelization of BiA and just some thoughts I had…

First of all very interesting to see all the deleted scenes in this book, I know that a lot of BiA media is wildly inconsistent because of late script rewrites (I believe this was the reason but correct me if I’m wrong, I do know however that Joe Dante struggled with retaining his original creative vision).

I really love this one scene that I had never seen or heard before when DJ reminds Daffy that despite his wishes to be a James Bond-like action hero, Daffy’s just a duck while he’s a real man with “opposable thumbs” (weird flex DJ but okay). This prompts Daffy to respond “yeah but can you do this?” hitting himself with a mallet that splits him into tiny daffys who woo-hoo manically and then reform into regular Daffy. Idk just thought that would be visually funny to see animated.

I also LOVE this one silly scene when Daffy sees one of those ridiculous hip-hop t-shirts with him on it and wants to buy it. I feel like that is funnier then the fun but cringey rap scene in space jam 2, and feels more self-aware.

Then there’s these additions the book adds like…“the handsome security guard” like geez I know everyone loves Brendan Fraser but that felt weird to read lol but maybe that’s just me

Also I laughed reading the first lines of the book

Like someone really loved alliteration omg…but even still it sounds so angsty for freaking looney tunes lmao

I was kinda sad it skimmed over little parts I liked in the movie (i.e. subtle baffy moments). I do like that one deleted scene when Bugs and Daffy are making fun of DJ and Kate about being in love, and they are mocking them together. Idk if actual baffy moment but still cute.

Ugh I forgot how much I hate Kate…she’s painfully unfunny in the movie and even more so here. She quite literally vocalizes her thoughts in the most banal way and has zero subtlety. -10/10 character tbh Idk if that’s purposeful since she is supposed to represent the out-of-touch wb exec and is only concerned with 🤑🤑 but…still.

Oh another scene I forgot is when Kate mentions disparagingly that Daffy’s fan base consists of “fat guys in basements” I literally thought of Ferris Wheelhouse—I’m so sorry 😅. I also appreciate the little anecdote that Daffy is still thankful for his small fanbase when he makes sure that Kate counted “Henry too” (I think that was the guys name) I somehow found that actually kind of sweet.

I also thought this line was SUPER interesting and perhaps a tad bit insightful

First of all “trying to sound sincere” for his sake? For Daffy’s sake? Maybe Bugs is so known for his sarcasm that his sincerity is still taken as being ingenuine. If so that’s REALLY interesting to me. Also the fact he practiced that speech? 👀👀 Does this means Bugs typically rehearses everything he says? Kind of like what people with social anxiety do? Has he built up such a image for himself that he feels he has to keep up with that image? OR is this just because admitting he needs Daffy is a hard thing for him to say? Does his pride disallow him from encouraging Daffy so he needs to literally practice saying “I need you” when push comes to shove? Aaah anyway this was really cool to see. Also Daffy not buying it for a minute is also telling. 👀👀

Continuing on that thought, wouldn’t it be really sad if Bugs and Daffy couldn’t grow in their relationship with each other because of this very reason? Bugs could deep down really care about Daffy (which tbh in canon I really think he does) but Daffy will never realize this because of the walls he’s built to protect himself from being mocked or tricked by Bugs. LIKE AAAAHHH

tl;dr Interesting and cool read but it was just okay overall

Artober day 17: He'd be right

Alternate Universe HS Chuuya calling Dazai "Osamu" when they were young being so important to Dazai that he wrote it down and put it in a time capsule

....is not the craziest soukoku info thats ever dropped into my lap

but it blindsighted me nonetheless.

Hey hey hey! I'm not sure if no one has mentioned this, but I haven't personally seen this kind of thing, so here you go just my random ideas regarding the twins.

What drives me so crazy is the fact that in chapter 81, Tsukasa says after Yashiro returns, " Nene-chan and I are the same! ". I know that Tsukasa probably said that because Nene said he liked Amane, but for some reason I want to believe that there's more to that phrase than just sympathy for Amane. For example: In chapter 15, after Tsukasa's first appearance, Hanako emotionally pins Nane to the floor, but after a couple of seconds, he gets scared and recoils, apologizing. And for some reason, it seemed to me that by pinning Nene to the floor, Hanako felt that he was in the same position that he was in when he killed Tsukasa, which is why he was so scared and depressed.

Those are two little moments that I noticed, and in fact, after that I started to think that maybe the incident and the reason for killing Tsukasa would be revealed directly through Hanako and Nene's interactions, and Idk why, but it just inspired me.

Also, before I get it out of my head. When Amane gets sick, Tsukasa turns to the monster under their house, sacrificing the beasts to get what he wants. The monster or demon, whatever, acts just like Hanako-san, and I'd venture to guess that it was the very first form of Hanako-san even before the ghosts became more human (in terms of something along the lines of the devils that were in the village in the no.6 mystery arc), but my main association was that Tsukasa also begins to adopt the trappings of the no.7 mystery. He also offers to grant Amane his wishes, just as the creature under his house offered to grant Tsukasa's wishes, and it seems to me that if Amane wasn't meant to become the no.7 mystery, then Tsukasa was originally destined to become the no.7 mystery, while Amane committing suicide inadvertently ascribed such a fate to himself? Also, Tsukasa disappeared for an indefinite period of time on Amane's birthday, so I think the fact that he's been living and raised in a circle of baddies for a while could also explain his behavior now.

That's all I wanted to say for sure now. If it was inappropriate, just ignore it, pls.

This phrase from Tsukasa is a mystery to many people. I've seen some people saying that Tsukasa compared himself to Nene because he also loved him "romantically" - when they talked a lot about the theory of the abuse that Hanako suffered from his brother. (one of the old hypotheses)

Hanako is a very emotional boy, despite not saying how he feels he shows it a lot (even against his will) and that's exactly what happened. Hanako killed Tsukasa in that position (apparently) so when Tsukasa reappeared for the first time on the roof, Amane reacted desperately, he was sweating cold, his eyes were petrified, he swallowed hard and started crying. This boy was panicking, I wanted to hear his thoughts at that moment.

He remained motionless and didn't react when Tsukasa appeared, Yashiro threw herself forward to defend Hanako, when Tsukasa left Hanako finally reacted. He didn't see Yashiro there, he saw Tsukasa. Then he pulled her hard and threw her against the ground thinking it was Tsukasa. When Yashiro talks to him, Hanako realizes that she wasn't his younger brother, so he apologizes and leaves.

Apparently, Hanako hadn't seen Tsukasa in a long time, so when he reappeared he simply panicked. He didn't expect and didn't want to meet Tsukasa again, he killed his younger brother, and what does he do when he meets him again? Attacks in the same way as the first time. The problem is that he was so shocked that he didn't react immediately, he reacted later. If he had had an instant reaction, he would have thrown Tsukasa against the ground and they probably would have spoken, although Hanako made this sudden movement, he didn't attack using the knife, he kept looking at Yashiro (imagining it to be Tsukasa) while crying.

So you're right, Hanako reacted that way thinking it was Tsukasa (this just shows us how traumatized he is, because every time he meets Tsukasa he's still in shock, even if it's not the same as the first time he finds him again) Even Kou noticed this.

So let's compare.

Interesting, isn't it? Another interesting thing about this position is that Hanako uses it frequently with Yashiro, did you notice?

If you pay attention to this scene in chapter 39, you will notice that he did the same thing

So we return to Tsukasa's phrase "we are equal" this phrase was not thrown around for nothing. I've seen some people saying that Nene would have the same ending as Tsukasa because they two are really similar. Tsukasa and Yashiro have a very similar behavior pattern in some ways, so this sentence scares me a little. What if Hanako who loved his little brother so much and killed him, did the same for the girl he loves so much? The big question is, why?

So you suspecting that interactions between Yashiro and Hanako might reveal why he killed his younger brother makes sense. The problem is that if you really follow this path, it means that Yashiro will have the same ending as Tsukasa (maybe?)

WOOOOOOOOW I LIKE THIS HYPOTHESIS SO HARD XD

What if Tsukasa was the one who was supposed to become Hanako-san? This is perfect. We don't know what the creature looks like, even if it doesn't have a human appearance, generally it should have a shape, but it seems it doesn't. That's because she was inside Tsukasa, and apparently she also lives inside Amane.

There is a bond between the three, we know that the twins were ordinary humans, and the creature beneath the house (and the abyss) is seen as a God, as it grants wishes. But let's talk about Hanako-san from the legends.

The legend of Hanako-san has several stories about how she died and how she appears when summoned. I did a little research on this, although this legend is very similar to the legend that exists here in my country (almost identical) I noticed that some things could match your theory.

Let's skip the details that you already know about Hanako-san, so they say she could have died from taking her own life, from murder, a bomb, or from being sexually abused before she died.

Taking your own life fits with Hanako-kun's story, ok, let's continue, of all the ways it can be invoked, there is one that matches your hypothesis.

"Hanako-san, after being summoned, can respond with a hoarse voice, as if she were possessed by a demon, because in fact it is not a girl, but a supernatural person who tries to deceive you with the voice of a child, and she says "I'm here" and when you open the door you are faced with a monstrous creature"

If we combine these two parts of the legend "he took his own life" and "whoever opens the door is a demon" this theory makes sense. Hanako-san is a legend that changes over the years, so I can't know for sure if this is the most popular version (because I found many, many)

And the wishes, Hanako-san doesn't grant wishes in any version. The authors are intelligent, and they wouldn't use the legend for nothing to make it easier to predict hahaha

But don't worry, JSHK is like that, you fit a piece here and realize that it doesn't fit right with other pieces of the story. Remember that we are dealing with temporal paradox so this is common.

The twins' connection with Hanako-san is mysterious. It's true that it's possible that other supernaturals could take the 7 Mysteries' place by defeating them, but no one talks about the original Hanako-san. Kou already knew that it wasn't a girl and he also doesn't say if there was another one before Amane. He is from a family of exorcists, even if he wasn't born at the time, family members would mention it, right?

So we have Hanako-san and the God under the house. Are they the same creature? It's a possibility. But if Amane took Tsukasa's place, why does the legend of Hanako-san as a girl still exist? Amane has lived with this creature since he was 4 years old, if he had become Hanako-san from the legends, it wouldn't be Hanako-san, it would be Hanako-kun. Yashiro is surprised to discover that Hanako-san is a boy, which means that the information does not match.

But calm down, don't rule out the hypothesis yet, what if God used someone else? A girl, Hanako-san, and then for some reason Amane took her place?

This is very interesting.

We don't know if Tsukasa would be Hanako-san, the only thing we know is that he was going to stay in the red house and he only came back when he found out about his tragic future, so why would he become Hanako-san? He did not intend to return.

So even if Amane stayed alive and became an adult, Tsukasa wouldn't come back. He said that, he said he knew how to go back but he didn't want to. He only came back because Kou and Nene said that Amane was going to kill him in the future.

Tsukasa was in the red house with the creature and other supernaturals for 6 months, then he returned home. (These 6 months were outside the house, we don't know how time moves inside the red house)

So Tsukasa was missing for six months after his and Amane's anniversary before deciding to return.

Hanako-san probably has a more direct connection with Amane than with Tsukasa. We don't know the relationship Amane has with the creature, your hypothesis remains valid because of this point.

What if the God is Hanako-san and Amane joined him and became Hanako-kun for some specific purpose (because he grants wishes like the creature, I mean, almost) We don't really know how Amane grants wishes, he and Tsukasa don't seem to use the same method as God. The creature magically does what you want instantly and charges a life for it.

Not the twins, they do it on their own, and there is not always the possibility of them being able to do it (even using supernatural abilities). What they ask for in return is random, meaning they don't ask for anyone's life.

You remembered Aoi, didn't you? Yashiro's wished to extend her life, that power is not in Amane's hands, but who can accomplish this? God, of course, which is why Aoi is used as a sacrifice.

It's no wonder that number 6 was doing the same ritual that he did in the village that sacrificed young girls, they sacrificed directly to God. Amane accompanied Aoi on the train, he wanted to take her to the other side since number 6 couldn't.

So Amane asked God to fulfill Yashiro's wish (it's a hypothesis)

It's very interesting to think about the possibility of the God being Hanako-san, but we still need more information to be able to better fit this theory. We know that mysteries change with rumors, so this could have happened to Hanako-san too, but don't you find it curious that the rumor about Hanako is that he is a girl and even though he has this rumor he is still a boy?

Because you know, when a rumor changes, the supernatural is forced to change, whether it's their personality or appearance. Why was it different with Hanako? Why didn't he become a girl?

It's an interesting question.

So, I think your theory is very good! I really liked it and I will remember it! For now it's difficult to fit her into the story now, but we don't know in the future! Never discard a hypothesis until it is proven to be invalid. Let's wait for more information to arrive before we can draw more conclusions.

I'm still going to evaluate your theory further, so I may develop it better in the future and talk about it again. If you find more evidence in the future, you can share it with me if you want :3

I hope you liked it, thanks for the aks!

not seeing enough posts about how jax literally was correct about how caine isn't gonna do anything even if they misbehave during the adventure

like he very much said nothings gonna happen and he was RIGHT because they all got the same score despite pomni flirting with gummygoo instead of taking the gloink queen's order, ragatha being high, and jax clocking off early and putting ragatha in the frier and saying he hates customers and... everything else he did. meanwhile zooble did their job so well and ALSO got a b+ like everyone else

tldr jax was right that they cant face consequences and the fact hes so confident in that probably makes the fact that hes an asshole make significantly more sense bc he has no reason to stop and also he's right that nothing they do in the circus matters. work hard? b+. get high and stop working to sit on the floor and make everyone elses lives harder? also b+

I'm surprisingly okay with powerless Saiki aus but only when he's just as much a superiority complex fueled smug bastard.

Like hes still able to do half the shit he can do, but just to a more reasonably human level. Like he could get straight 100s or a grip strength of 640 pounds. But he still does everything in his power to be as average and unnoticeable as possible while his inner monologue is "good grief all these normal humans. I'm better than them, it's not ego it's fact" just like in canon. He's also just as much "I'm not going to involve myself" but immediately secretly involves himself.

Jax's Character Gimmick

This is a theiry my brain has cultivated since watching the 4th episode, since it is a theory, don't take anything I'm saying as fact. it's purely speculation for now.

also apologies in advance, but this will be a wall of text, that is to say, a long post.

So, Each character in the Digital circus seems to have a gimmick of some kind. Ragatha gets hurt by the environment often, Gangle's got her breaking comedy mask, Zooble has their ever-changing parts, Pomni seems to have an existential crisis every episode, and Kinger has his fluctuating lucidity. But what about Jax?

well, in episodes 3 and 4, Jax either didn't get a lot of screen time, or didn't take many opportunities to cause mischief. Hell, in episode 3, Jax vacuumed up ghostly only because that's what he thought he was supposed to do for the adventure. after that Jax didn't get to do much on account of being tied up.

In episode 4, as far as mischief goes he just throws Ragatha in the deep fryer. but before that happens, I think we see the first glimpse of Jax's gimmick. it happens in the first minute of the episode, where Ragatha was helping Gangle learn to throw a baseball. Jax honestly seemed to just want to play a game in the moment, yet when Gangle threw the ball, and he hit it, the ball hit her right in the face. Jax might not have looked apologetic in the moment, but he did seem confused. and when Ragatha went to scold him about it (assuming he did it on purpose), he says "I actually didn't mean to do that".

This is interesting to me because in every other episode, Jax has done something to cause mischief. and said mischief usually involved someone getting hurt, thrown around, or having something of theirs broken.

Here's the thing, I think that Jax deliberately causes this mischief on purpose, because his character gimmick is causing harm to others. maybe when he first arrived in the digital world, he had tried to be nice, maybe even helpful, but those efforts would backfire in a wacky way, ultimately resulting in something or someone getting hurt. in other words, he'd accidentally do something that harmed someone or something important to someone.

I think at first he felt bad about it, accidentally causing harm to others. but no matter how hard he tried, he couldn't seem to go a day without hurting someone. and the harder he tried to avoid it, the more others would get hurt. So Jax, seeing the pattern, decided to embrace it. He started deliberately causing mischief, and found that if it wasn't an accident on his part, then he would have a level of control over how much pain he causes. like if he feels he has to cause chaos, at least he can control it to a degree.

over time, I think Jax started to find humor in others misfortune. and it sorta turned into a coping mechanism for the gimmick of constantly having to cause someone else misfortune.

The Man-God: BSD’s Dostoyevsky and Demons’ Kirillov

So, I finally read Bungou Stray Dogs. And y’all, I freaking love this manga. It’s got themes of life, grief, death, trauma, and is chock-full of literary references and puns. 

Shocking no one, one of my favorite characters–the reason I started reading the story–is Dostoyevsky, since I’m… rather an admitted fangirl of Dostoyevsky’s novels. I’ve reread each of them at least twice and some (C&P) up to five times. Clearly BSD’s Dostoyevsky not the hopeful, faithful author, but he’s definitely a fascinating antagonist whose arc is digging into the themes of Dostoyevsky the writer’s novels–with a particular focus on the two novels that are my very favorite novels ever written, by anyone, in history: Crime and Punishment and Demons. 

But in truth, it draws more from Demons than from Crime and Punishment, right down to having BSD!Dostoyevsky directly quote it.

Demons is far, far less popular that Crime and Punishment, The Brothers Karamazov, and even The Idiot, so I was really surprised to see how often it’s been referenced in BSD (The reason it’s less popular is honestly justified: the first 100 pages are paced… horribly, but the rest of the novel is so powerful that I can overlook that). It’s been translated under a variety of titles as well: The Possessed, The Devils, and the most recent is Demons so that’s what we’re going with in this meta.

Pssst–look at how often BSD!Dostoyesvky is associated with demons or devils:

Yet Demons has been popular with literary theorists (one well-known critic has described it as containing “the most harrowing scene in all of fiction,” an assessment I’d agree with–and this is the scene I’m going to discuss in detail) and existentialists like Camus (sorry Camus). Anyways, I have a soft spot for Demons because it contains my very favorite character in existence: Alexei Nilyich Kirillov, who is the character BSD!Dostoyesvky directly quotes.

@blackandwhitemusician did a great analysis of the similar philosophies BSD!Dostoyevsky shares with Crime and Punishment’s Raskolnikov, but I want to talk about how BSD!Dostoyevsky is also modeled after Kirillov’s philosophical ideas. This isn’t to say he embodies them, because Kirillov is decidedly not a villain unlike BSD!Dostoyevsky, but BSD!Dostoyevsky definitely draws heavily from Kirillov’s ideals.

Kirillov is a character who, like Raskolnikov, embodies the contradictions of human nature, but in a hyperbolic way. He’s noted to have a “calm but warm and kindly expression"and adores children, playing with them, and he even helps his friend Shatov’s wife give birth (he’s endearingly awkward and scared for the whole ordeal). He affirms that he is “fond of life” and yet he is determined, from the moment we meet him, to shoot himself as suicide because in doing so he will save himself and the world. 

Kirillov’s reasoning is complex and at the same time, spotty, and stems from a deep despair and disgust with human sin. Sound familiar?

Time is also a major motif with BSD! Dostoyevsky and with Kirilllov. He does not believe in time as more than an “idea.” He insists that “life exists, but death doesn’t at all… [I believe] in eternal life here. There are moments, you reach moments, and time suddenly stands still, and it will become eternal.”

(Clocks constantly appear in BS chapter 42, Dostoyevsky’s introduction, as well.)

Kirillov also draws from other philosophies such as Descartes’ “I think, therefore I am,” affirming that “man is unhappy because he doesn’t know he’s happy… If they knew that it was good for them, it would be good for them, but as long as they don’t know it’s good for them, it will be bad for them. That’s the whole idea, the whole of it… They’ll find out that they’re good and they’ll all become good, every one of them.”

In other words, reality is what Kirillov makes of it in his own mind, which is what BSD!Dostoyevsky hints his ability is (but it isn’t).

It’s still a belief BSD!Dostoyevsky holds: that his beliefs create reality.

Kirillov muses, in conversation with his friend Stavrogin (bold is Kirillov):

“He who teaches that all are good will end the world.”

“He who taught it was crucified.”

“He will come, and his name will be the man-god.”

“The god-man?”

“The man-god. That’s the difference.”

In BSD, anything written in The Book becomes truth, and Dostoyevsky plans to use it to rid the world of the sins of ability-users. Similarly, Kirillov plans to use his decision to set people free, and Pyotr plans to use Kirillov’s mental instability and philosophical suicide to erase consequences for his own sins. And as Kirillov also believes this will make moments heaven, Dostoyevsky expresses (using religious language) that this will make a heavenly reality as well:

As Demons goes on, we find out that Pyotr Stepanovich had struck a deal with Kirillov. Since Kirillov really tries to believe that everyone and everything is good, when Pyotr asks him to kill himself and write a note specifying something Pyotr won’t specify until the time comes, to help Pyotr, Kirillov agrees. Pyotr notes that he doesn’t tell Kirillov what he plans—to have Kirillov take the blame for the murder of their mutual friend Shatov, which Pyotr commits—because he thinks that if Kirillov knows in advance, “Kirillov could not be relied upon.”

The irony, of course, is that by seeking to prove the ultimate will in the universe is of the individual, that the individual is his/her own god, Kirillov becomes an unwitting tool in Pyotr Stepanovich’s terrible plots. He contributes to the unjust death of someone he cares deeply for by taking the blame. And Kirillov did not want this at all. When Pyotr comes to collect, he realizes what he’s done (bold is Kirillov_:

“He is dead!” cried Kirillov, jumping up from the sofa.

“He died at seven o’clock this evening, or rather, at seven o’clock yesterday evening, and now it’s one o’clock.”

“You have killed him!”

…

“You are a strange man, though, Kirillov; you knew yourself that the stupid fellow was bound to end like this. What was there to foresee in that? I made that as plain as possible over and over again. Shatov was meaning to betray us; I was watching him, and it could not be left like that. And you too had instructions to watch him; you told me so yourself three weeks ago.…”

…

“I won’t write that I killed Shatov … and I won’t write anything now. You won’t have a document!”

Pyotr refuses to leave until Kirillov is dead, and Kirillov explains that “I won’t put it off; I want to kill myself now: all are scoundrels.” The exact opposite of what he expressed before about things being good.

“He’s guessed the truth at last! Can you, Kirillov, with your sense, have failed to see till now that all men are alike, that there are none better or worse, only some are stupider, than others, and that if all are scoundrels (which is nonsense, though) there oughtn’t to be any people that are not?”

And then we see what motivates Kirillov is a desperate need to have a reason to match his desire to live. It’s literally one of the main themes of Bungo Stray Dogs (bold is Kirillov):

 “If you stopped yourself, you become God; that’s it, isn’t it?”

“Yes, I become God.”

…

“Let it be comfort. God is necessary and so must exist… But I know He doesn’t and can’t… Surely you must understand that a man with two such ideas can’t go on living?”

And of course, this is BSD!’s Dostoyevsky in what I am betting is a direct quote from Demons as translated into Japanese: If god does not exist, then I am god.

His man-god belief, like Dostoyevsky’s in BSD, are explained thusly (bold is Kirillov):

“I’ve always been surprised at every one’s going on living,” said Kirillov, not hearing his remark.

…

“Hold your tongue; you won’t understand anything. If there is no God, then I am God.”

“There, I could never understand that point of yours: why are you God?”

“If God exists, all is His will and from His will I cannot escape. If not, it’s all my will and I am bound to show self-will.”

“Self-will? But why are you bound?”

“Because all will has become mine. Can it be that no one in the whole planet, after making an end of God and believing in his own will, will dare to express his self-will on the most vital point? It’s like a beggar inheriting a fortune and being afraid of it and not daring to approach the bag of gold, thinking himself too weak to own it. I want to manifest my self-will. I may be the only one, but I’ll do it.”

That’s a direct quote.

BSD!Dostoyevsky manipulates human will to lead people into committing suicide, and is killing them to create a new world without the sins of ability-users:

Kirillov says this right before he finally writes the false confession to Stavrogin’s murder and kills himself:

“Man has done nothing but invent God so as to go on living, and not kill himself; that’s the whole of universal history up till now. I am the first one in the whole history of mankind who would not invent God. Let them know it once for all…

“I am awfully unhappy, for I’m awfully afraid. Terror is the curse of man.… But I will assert my will, I am bound to believe that I don’t believe. I will begin and will make an end of it and open the door, and will save. That’s the only thing that will save mankind and will re-create the next generation physically; for with his present physical nature man can’t get on without his former God, I believe. For three years I’ve been seeking for the attribute of my godhead and I’ve found it; the attribute of my godhead is self-will! That’s all I can do to prove in the highest point my independence and my new terrible freedom. For it is very terrible. I am killing myself to prove my independence and my new terrible freedom.”

Yet Kirillov is inventing god: himself. He signs the paper and then does kill himself, but it’s not without the last terrible, terrifying realization that he does not want to die. He wants to live. And he fights Pyotr, biting his finger nearly off, before committing suicide. But Kirillov, as wrong and tragic as his philosophy is, is the one who recognizes the theme of Demons.

“Stavrogin, too, is consumed by an idea,” Kirillov said gloomily, pacing up and down the room.

The point of the entire tragedy in Demons is basically if you are consumed by an idea, it will turn you into a devil. Kirillov is, along with Shatov, perhaps the most likeable main character in Demons (others are far more horrifying as their various political, religious, and philosophical ideas take them over). And so is Dostoyevsky in BSD: consumed by his ideas, convinced his will is all that matters.

It won’t end well.