World, blown Holocaust. Old Poland, Market Day in Shtetl Zabludoff. Based on the stories of Sholom Aleichem and Bashevis Zinger. In Memory of the burned, destroyed Jewish Shtetls, do not give me no rest … 120х80cm. oil on canvas. 5000$
Today I bought a siddur for Shabbat and weekdays which we also use in both synagogues I’m going to. I have no clue yet when to recite which prayers at home but I hope I will learn it soon. (Help is warmly welcome!)
Synagogue painting #Germany (at Jüdisches Museum Berlin | Jewish Museum Berlin)
Happy birthday, Ai Weiwei!
Watch “The Art of Dissent,” a collaboration between Ai, activist Jacob Appelbaum, Laura Poitras, and Rhizome.
Unique Original oil painting on canvas of Rabbi Yosef Shalom Elyashiv by OriDvir (3500.00 USD) http://ift.tt/1znSzWR
JUST SOLD! Autumn Fine Art Auction- Lot 289 $2,000 Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: Homme a la Pipe Assise sur un Tabouret Year of Original Artwork: 1969 Medium: Lithograph on Arches Paper Edition: 500, 34 AP’s Size: 22 in. x 29 in. (55.88 cm x 73.66 cm) Reference: 3 Chromist: Laurent Marcel Salinas Estate of Picasso, (Marina Picasso) pencil signature and embossed blindstamp lower right. Ink stamp verso ‘Approved by the heirs of Pablo Picasso’
Six designers, six cities. Discover Rome, Italy with Dior’s perfumer-creator François Demachy on Diormag.com.
With Director James Snyder today at the Israel Museum #israelmuseum . A fabulous museum and director #israel #jerusalem #ronagam #agam #greatmuseum #israelbest #jewish #art
Sean Raspet • “Texture Map (Normal) (C03),” 2014 • The Critical Resistance Benefit Auction • Aug 12 — Aug 26
Chaki: Imagined Landscapes
“Upritchard’s proclivity for painting her characters’ skin in tones such as jaundiced yellow, mossy green, or calming lavender— sometimes in two tones or even a rainbow of hues—or having the patterns of their clothing continue onto their faces and hands, as if they have evolved to be able to camouflage themselves within their immediate surroundings, suggests that these creatures may signify a future race. But the combination of recognizable referents that appear to leave her figures nearly paralyzed—their partially opened eyes in a continuous state of rueful pondering— is what the viewer will recognize as disconcertingly familiar, a state of mind that syncs up perfectly with the contemporary moment.”
Hammer Projects: Francis Upritchard closes on Sunday: http://bit.ly/1GpKIbQ