On Wednesday, July 29, Over 700 People Attended The Members’ Opening At The Contemporary Jewish Museum

On Wednesday, July 29, Over 700 People Attended The Members’ Opening At The Contemporary Jewish Museum

On Wednesday, July 29, over 700 people attended the members’ opening at The Contemporary Jewish Museum (The CJM) for Amy Winehouse: A Family Portrait and the companion exhibition, You Know I’m No Good which are on view through November 1, 2015

More Posts from Farkash-gallery-blog and Others

9 years ago
Adapting Traditions For Modern Judaical Art With @tobylouketubah
Adapting Traditions For Modern Judaical Art With @tobylouketubah
Adapting Traditions For Modern Judaical Art With @tobylouketubah
Adapting Traditions For Modern Judaical Art With @tobylouketubah
Adapting Traditions For Modern Judaical Art With @tobylouketubah
Adapting Traditions For Modern Judaical Art With @tobylouketubah

Adapting Traditions for Modern Judaical Art with @tobylouketubah

To see more of Toby’s ketubot and other Jewish cultural art, follow @tobylouketubah on Instagram.

San Francisco-based artist Toby Simon (@tobylouketubah) grew up in a house full of Jewish art and with a very creative spirit. “I had a junk box in my room that was filled with things I collected like: berry cartons, straws, ribbons and random bits of plastic.” Later in college, Toby discovered a passion for Hebrew calligraphy and began designing her own Judaical art, featuring references to Jewish culture ranging from menorahs and poetry to modernizing ketubah, the Jewish marriage contract.

“What I love most about a ketubah is that it connects us to our ancestors, but at the same time by modernizing the text we can now include interfaith, secular or same-sex marriages; marriages that were not accounted for in the earliest Aramaic versions,” she says. “As a ketubah designer I feel proud to be a part of this progression.”

A full-time mom with two children, Toby finds time to create early in the morning or during nap time. For the upcoming Jewish holiday of Hanukkah, she continues to adapt tradition. Her menorahs made of fabric and buttons are a “safe way for children to count out the eight nights of Hanukkah with their parents.”

9 years ago

Farkash Gallery, Vintage Israel poster, Old Jaffa, Israel

9 years ago
This Poster Advertising The 1934 Levant Fair In Tel Aviv, And Glass Lantern Slide Showing The Fair At
This Poster Advertising The 1934 Levant Fair In Tel Aviv, And Glass Lantern Slide Showing The Fair At

This poster advertising the 1934 Levant Fair in Tel Aviv, and glass lantern slide showing the Fair at night, both from our collection, convey the modern architecture and the excitement of this international exhibition which aimed to create economic ties between Israel and foreign countries. .

9 years ago
HBD, #Chagall.

HBD, #Chagall.

Here’s his painting, Self-Portrait with Seven Fingers which hangs at stedelijkmuseumbureauamsterdam

9 years ago

Farkash Gallery Old Jaffa

גלריה פרקש יפו העתיקה

9 years ago
Luminous Entity

Luminous Entity

oil on canvas | 40 x 36" | 2013 Rick Stevens Art

9 years ago

Old Jaffa, Israel

9 years ago
Frank W. Benson - Summer Of 1909

Frank W. Benson - Summer of 1909

9 years ago
Just Opened:

just opened:

“HYSTERIA: Spatial Conversations with Florine Stettheimer”  Rosson Crow

Sargent’s Daughters Gallery, 179 East Broadway, NYC

In this recent body of work, Crow debuts a new technique of Xerox transfers layered with painting on the canvases. Crow has long been fascinated by history and the psychology of interior spaces, and has addressed subjects as varied as French Revolutionary interiors, New York City graffiti and the films of Alfred Hitchcock. This exhibition represents Crow’s response to the paintings of Florine Stettheimer (1871-1944), a New York artist whose paintings date from the 1910s to the 1940s.  Although considered a very important artist of her time, (Marcel Duchamp organized her retrospective exhibition at MOMA in 1946, and she was included in the first Whitney Biennale in 1932) Stettheimer’s works are relatively unknown today as she steadfastly refused to sell or show them in galleries.  Since her death, they have often been dismissed as overly “feminine” and “eccentric” and today Stettheimer remains known mostly to a growing cult of women artists on both sides of the Atlantic who love and claim her influence. - thru May 17

9 years ago
STACKSOPHONE, BABY!

STACKSOPHONE, BABY!

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farkash-gallery-blog - The Farkash Gallery
The Farkash Gallery

Vintage Jewish & Israeli Posters and Fine Art

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