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Creating Face-Based AR Experiences

Apple have just published an example for developers on how to use their front facing camera on the iPhone X for AR apps:

This sample app presents a simple interface allowing you to choose between four augmented reality (AR) visualizations on devices with a TrueDepth front-facing camera (see iOS Device Compatibility Reference).

The camera view alone, without any AR content.

The face mesh provided by ARKit, with automatic estimation of the real-world directional lighting environment.

Virtual 3D content that appears to attach to (and be obscured by parts of) the user’s real face.

A simple robot character whose facial expression is animated to match that of the user.

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An intro video can be found here

Channel your inner #WonderWoman and discover your coding powers! https://goo.gl/n0TMGq

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İntel yaptığı robotik çalışma ile piyasada ben varım diyor.. 😊

#robot #robotics #robotik #automation #otomasyon #endüstriyel #endüstri #sanayi #industrial #design #tasarım #teknoloji #technology #tech #mechatronica #amazing #nice #successful #mekatronik #makine #electronics #world #energy #project #programming #control #kontrol #intel #robots

A robot communicates through an interface.

Saturn 3 (1980)

LASER SOCKS!

Game developed by Glen Chiaccchieri where players lose life bar when opponent’s feet is hit with a laser from a pointer, and is a proof-of-concept implementation of the computing concept ‘Hypercard in the Room’:

In the video above two people are playing Laser Socks, a game I invented in an afternoon using a research programming system, common household items, and a couple lines of code.

Players try to point a laser pointer at their opponent’s socks while dodging their opponent’s laser. Whenever they score a hit, the health meter closest to their opponent’s play area fills up with blue light. Whoever gets their opponent’s meter to fill up first wins.

In August 2015, my research group (The Communications Design Group or CDG) had a game jam — an event where participants create games together over the course of a few days. The theme was to make hybrid physical/digital games using a prototype research system Bret Victor and Robert Ochshorn had made called Hypercard in the World. This system was like an operating system for an entire room — it connected cameras, projectors, computers, databases, and laser pointers throughout the lab to let people write programs that would magically add projected graphics and interactivity to physical objects. The point of the jam was to see what playful things you could make with this kind of system. We ended up making more than a dozen new and diverse games.

I made Laser Socks, a game about jumping around and shooting a laser pointer at an opponent’s feet. It was fun, ridiculous, and simple to make. In some ways, Laser Socks became one of the highlight demonstrations of what could be done if there was a medium of expression that integrated dynamic computational elements into the physical world.

More Here

Photo-editing app FaceApp now includes Black, Asian Indian and Caucasian filters

On Wednesday morning, the photo-editing app FaceApp released new photo filters that change the ethnic appearance of your face.

The app first became popular earlier in 2017 due to its ability to transform people into elderly versions of themselves and different genders.

These new options, however, will likely cause some outrage: The filters are Asian, Black, Caucasian and Indian.

Selfie apps like Snapchat have taken criticism for filters that apply “digital blackface.” In 2016, Snapchat released a Bob Marley filter that darkened the skin and gave users dreadlocks. Snapchat said another one of its 2016 filters was “inspired by anime,” but many people called it “yellowface,” as it seemingly turned the user into an Asian stereotype.

FaceApp’s newest filters, however, don’t pretend they’re anything but racial. Read more (8/9/17 12 PM)

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Plastic Girls

Short film by Nils Clauss explores the spaces that use female-form robotic mannequins around South Korea to attract business:

With slow graceful movements and digitally generated messages, Plastic Girls make a conspicuous contribution to the sexualisation of public space in front of their owners premises.

PLASTIC GIRLS is the last film of a Korea related trilogy following BIKINI WORDS and LAST LETTERS:

vimeo.com/151000182 vimeo.com/195284427

Link