This was tagged as butch bait, so I presume this is a jest post and I decided not to reblog directly from the original poster because of this. However butches and gender nonconforming women almost NEVER get shown as old in media, and our beautiful middle aged (and older!) butches never get to the public eye!
There is a future for butch and gnc women. We can grow old and be ourselves, without changing a thing. So I present to you pictures of older butch and gnc women!
I'M SO PROUD OF HER AS WELL!!!
man imagine being a full grown adult and getting absolutely destroyed by this little 15 year old kid with a pair of mining gloves (i'm so proud of her <3)
Also I need Amanda to never touch another butch lesbian character thats apart of an oppressed group ever again because she handled vi so terribly and in such a disrespectful way on so many levels
vi holds gerts hand while eating her alive
The PJM rot is real. Anyways some Terrible Trio before exams lol ππ±βπ€π€
I love em, they're silly lil guys doing their silly lil shenanigansπ >>> Villain AU for the the Trio & concept art for the masks totem HQ
AU info: > H!Luna, H!NightNinja, and H!Romeo go to the same private school > H!Romeo lives in his lab, no one is at his actual house. It gets lonely. > H!Luna has a house, she prefers the moon though > H!NightNinja lives at Mystery Mountain > After freeing H!Munki-gu from from being a statue, he helps train the Ninjas at Mystery Mountain > The totem was not maintained well by the community > Owl, Panther, and Gator vandalized the totem
No, Iβm NOT well.
The writers may as well have spit in her face by making her participate in gassing Zaunites with Caitlyn. Vi knows kids work for the Chembarons. She knows the dire situation in Zaun and what lengths people have to go to survive. She would never agree to it.
AND in S1, Caitlyn wouldβve left her in Stillwater if she hadnβt agreed to help // said βThe Undercity is gonna eat you alive.β
Iβm going to SCREAM if I think about this any longer.
My subjektiwe and biased analyse of "seeng stars"
Disklaimer:
Wery clearly biased, anti Stoliz, pro Star and the moon (Loona x Octavia)
If you like Stoliz do not read it your not gonna like the post.
I was obsessively analyzing every shot of S2: Episode 2 of Helluva Boss, which resulted in this post. Read the disclaimer and enjoy
Oh, maybe the fact that sheβs stressed and aggressive all the time has something to do with the fact that sheβs a goddamn slave you adopted exclusively to be a secretaryβbut nah, I must just be a Blitz hater.
This phrase alone justifies all the bullying Moxxie got from Loonaβs side. Fuck you DROP DEAD STAY BULLIED AND I'M GONNA CALL HIM FAT FROM NOW ON not because he is but because he deserwed to be bullied and pissed of all the time
How does a character who doesn't give a fuck (and doesn't even know Via) act, compared to a character
the show wants us to think gives a fuck and loves Via act
Moxxie couldn't care less about a teen they should rescue, Millie not being able to tell him no (and the joke is idiotic but is the best that we could possibly get in this series)
The whole line with Stoliz wasting time at the sitcom just shows that neither of them really gives a fuck about Via. First of all, Blitz has no weapons whatsoever? Coolβgoing into the human world with essentially your underpants down, to help the daughter of your abuser you really care about, and you end up spending the whole day surrounded by people that could be killed in a span of a minute. Whoah, Blitzo, keep it up. I'm sure your business sucks because Loona is a bad slaveβOH, I MEAN WORKER. His whole work is supposed to revolve around going into the human world ALL THE TIME. How the FUCK does he not know what he's doing?
During the time they spend on the sitcome, Via could die 400 times, could be kidnapped 100 times, but ok whatewer hawe fun there. And only one single moment to note happens during the sequenceβa part that tells us about Loona's childhood.
She spent it in a kennel, which essentially looks and feels like a prison (which needs a couple individual posts about it). And Blitzo, being the loving dad he is to his daughter that he cares about, chooses to adopt Loona becauseβ¦because he needs a workerβ¦ and because sheβs cuteβ¦ A DAD TO DESIRE.
To analyse the next scene, we need to take note of Loonaβs slave background. We see her just walking around like a normal young woman wouldβmy love, π₯Ίπ she actually got a chance to do this.
And then she needs to choose between completing her fucking bossβs duties and actually getting some fresh air. FUCK YOU, BLITZ, YOU COULD DIE. Loonaβthe one who cares again (the only one out of everyone).
Loona was the one to find Via because she was the only one who was searching for her. And the girls have a talk. Now, I think it's worth noting that Loona essentially just victim-blames Via into thinking that her father cares for her. But I don't think that was intentional.
Loona grew up in the kennel β everything we know about the kennel is that it's essentially something like a prison, just to then be put in another prison, to be a slave of the man that calls her his daughter. These are things that could NOT just pass by Loona's psycho health, and it shows.
Of course, to loona, Stolas is a good father because instead of displaying a clear case of abuse, he just donβt give a fuck. So for Loona, it's essentially the best thing that a father could ever be. She didnβt mean to victim-blame Via, sheβs just too traumatised herself. She does her best to help, considering that Via is klearly still trying to reach up to her father.
Stoliz are trying to hard to not hawe to much fun when there are a teen in danger running around with Grimoire
ππ
Caitvi defenders getting mad at me for hating. But youβre saying that the mistress, Maddie, get to sleep in Caitlyn's castle room, princess bed with a robe but Vi "wHoM sHe LoVeS sO MuCh" get to scrape her knees on cold cement in a prison cell where she was locked up her entire life, plus her sister?
May this love never find me ππ
Imma get hate for this one
πππ'ππ πππ 'ππ πππππππ ππππππ ππππ ππππππ, πππππ 'ππ ππππ ππππ, πΏππππ'π πππππππππ πππππππππ πππ ππππππ ππ πππ πππππππ, π·ππ ππ πππ ππ πππ ππππ ππππ
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