23 posts
the eyes.
you tell a bitch to keep their cat indoors and suddenly their town is the first in the world to have eradicated every viral, bacterial and parasitic disease, they invented completely harmless cars, dogs and predators dont exist either but somehow the native songbird population is fine since the cats in this place have lost the hunting instinct, there's no pollutants or toxic plants and human cruelty has ceased to exist. and mr mittens has a chip in his brain that will explode if he doesnt go outside 10 hours of the day
People talk about wanting to recover so that they can re-gain their old selves, their old passions, their old interests
What do you do when you don't have an old self to go back to and re-gain? There wasn't a 'me' before mental illness or if there was I don't remember them
When you start struggling with your mental health at a young age, it becomes all that you know and your identity can become distorted around it
Now I'm an adult who has no idea what they like, what they enjoy or even how to comfort themselves
What am I supposed to do with myself and how am I supposed to find reasons to recover when it feels like drowning is all I know?
every day it gets harder to live. I get out of bed and don’t know what I’m doing, I don’t know who I am, I don’t know what I want or need. I simply do not exist.
sense(less) of self
ice skating daphne
I made an art/anatomy tutorial about birds! I hope people will find it helpful!
1. Adela of Normandy letter (1109)
2. Adelaide del Vasto (c1075 – 1118)
3. Adeliza of Louvain (c1103 –1151)
4. Æthelburg, Queen of Wessex (c.673 – 740)
5. Agnes of Antioch (1154 – c.1184)
6. Agnes “Black Agnes” Randolph (c1312 – 1369)
7. Aliénor de Poitiers (c1445 – 1509)
8. Anna Porphyrogenita (963 – 1011)
9. Anne of Kiev (c1030 – 1075)
10. Beatriz “La Latina” Galindo (c1465 – 1534)
11. Bertha of Holland (c1055 – 1093)
12. Bertrade de Montfort (c1070 – 1117)
13. Börte Üjin, Mongol Khatun (c1161 – 1230)
14. Catherine of Siena, Saint (1347 – 1380)
15. Christine de Pizan (c1364 – 1430)
16. Clare of Assisi, Saint (1194 – 1253)
17. Clementia of Hungary (1293 – 1328)
18. Constance of Aragon (1179 – 1222)
19. Cymburgis of Masovia (1397 – 1429)
20. Dagmar of Bohemia (c1186 – 1212)
21. Dervorgilla at war (1315 – 1316)
22. Elizabeth Báthory (1560 – 1614)
23. Elizabeth of Hungary, Saint (1207 – 1231)
24. Elizabeth of Poland (1305 – 1380)
25. Elizabeth Richeza of Poland (1286 – 1335)
26. Emma of Normandy (c985 – 1052)
27. Fredegund, Queen Consort of Neustria (?-597)
28. Gisela of Swabia (c990 - 1043)
29. Hedwig Jagiellon (1457 – 1502)
30. Helena of Serbia (c1109 – c1146)
31. Inês de Castro (1325 – 1355)
32. Irene of Athens (c752 – 803)
33. Isabella MacDuff (c1285 – c1313)
34. Isabella of France (1295 – 1358)
35. Isabella of Hainault (1170 – 1190)
36. Isabella of Valois, child bride (1396)
37. Isabella of Villehardouin (c1263 – 1312)
38. Jeanne “the Hatchet” Laisné (1456 - Unknown)
39. Jeanne de Montbaston, her smutty art (1300’s)
40. Jelena of Bulgaria (c1310 - c.1376)
41. Joan of Acre (1272 - 1307)
42. Joan of Kent (1328 – 1385)
43. Joan, Lady of Wales (c1191 – 1237)
44. Joanna “la Flamme” of Flanders (c1295 – 1374)
45. Joanna I of Naples (1326 – 1382)
46. Judith of Brittany exhumation (982 – 1017)
47. Marfa Sobakina, Tzarina of Russia (1552 – 1571)
48. Margaret of Scotland, Saint (c1045 – 1093)
49. Margery Kempe (c1373 – 1438)
50. Marguerite Porete (Unknown – 1310)
51. Maria Angelina Doukaina Palaiologina (c1350 - 1394)
52. Marie de France (1100’s)
53. Matilda of England, Empress (1102 – 1167)
54. Matilda of Tuscany ‘love’ letter (1089)
55. Melisende of Jerusalem (1105 – 1161)
56. Nzinga of Ndongo and Matamba (c1583 – 1663)
57. Olga of Kiev (c890 - 969)
58. Rogneda of Polotsk (962 – 1002)
59. Sanchia of Provence (c1228 – 1261)
60. Shajar al-Durr, Sultana of Egypt (Unknown – 1257)
61. Sorghaghtani Beki (late 1100’s – 1252)
62. Tamar the Great of Georgia (1160 – 1213)
63. Theophanu, Holy Roman Empress (c955 – 991)
64. Trota of Salerno and women’s medicine (1100s)
N.B. There is a great deal of other work on this page (both mine and reblogged) about the daily lives, activities and representations of women in the medieval and early modern periods. This list is just to index the mini-bios that I have personally written so far. I have many fascinating women I intend to write about going forward but if you have suggestions please feel free to inbox me.
There are a lot of terms I use in reference to the pieces I post, and most of them are rather specific to the field of art history. Here I will post some definitions of the main vocabulary words that should be known to understand an analysis of Medieval Art.
mandorla: A gloriole or glory when it surrounds the entire figure of God, Christ, the Virgin Mary, or a saint with a large oval of radiant light . Mandorla is the Italian word for almond. When it surrounds the head only, it is called a halo or nimbus. It indicates divinity or holiness.
iconostasis - In Eastern Christian churches, a screen or partition, with doors and many tiers of icons, that separates the sanctuary from the main body of the church.**However this can also be found in some Asturian churches in Northern Spain as well
apse - The semicircular or polygonal recess at the end of a Christian church opposite the main entry, or in a wall of a Roman basilica. It was here that the altar was placed.
narthex - In architecture, a porch or vestibule of a church, generally colonnaded or arcaded and preceding the nave.
ambulatory - A continuous aisle around a circular building, or a semi-circular aisle curving around the apse of a church behind the main altar. Developed during the Romanesque period, it made it easier for large religious processions to move about inside the church. The addition of the ambulatory led to the construction of radiating chapels, each with its small altar for worship. Also, it may refer to a covered walkway outdoors, as in a cloister.
portico - In architecture, a porch or walkway with a roof — either open or partly enclosed — supported by columns and often with a pediment, usually leading to the entrance of a building. It has been a standard feature of classical and neoclassical styles. Porticos can be one or more stories high, and may be as narrow as a door or as wide as an entire building. Porticos an galleries are often confused, and some can be described as being both. The plural form can be either porticoes or porticos. Each can have a colonnade, and each can be a long porch.
historiated - Capital letters ornamented with representation, such as plants, animals, or human figures, that has a narrative — as distinct from a purely decorative — function. Historiated initial letters were a popular form of manuscript decoration in the Middle Ages.
buttress - A mass of masonry or brickwork used as a support or brace counteracting the outward (lateral) thrust of an arch or vault. A pier buttress is a solid mass of masonry. A flying buttress is one which reaches over a side aisle to support the heavy stone roof of a cathedral.
clerestory or clearstory - In architecture, this term (spelled either way) refers to a wall of a building which is raised above an adjoining room, and this section of wall has windows. The walls of the nave in a Christian church are higher than the roof over the side aisles, for example, and the clerestory contains windows for light and ventilation. Because of the heavy walls, the clerestory windows of a Romanesque church were small and admitted little light. Development of the pointed arch, piers, and flying buttresses in the Gothic cathedral made possible the enlargement of this window area.
transept - An aisle between the apseand nave. It cuts across the nave and side aisles to form a cross-shaped (cruciform) floor plan.
reliquary - A container or receptacle, such as a coffer or shrine, used to keep or display sacred relics, and usually made of a richly decorated, precious material. Reliquaries have been produced by numerous cultures. In the Christian tradition, they were especially important throughout the Middle Ages. Another name for reliquary, though much less common, is feretory. Feretory is also the area of a church in which relics are kept.
Hey tumblr we need to have a talk about something I noticed.
Specifically going by tags attached to images I’ve blogged or reblogged, there seems to be a misconception that marginalia means “any quirky medieval art”.
It’s not.
Marginalia is anything in the margins of a text.
The ones that will get posted on tumblr will more often than not be quirky drawings, but they also include notes, annotations, scribbles, and whatever else. The quirky drawings just happen to get a lot of press on here because, well. They’re quirky drawings.
For instance, see this image here of a platanista (river dolphin) chomping down on an elephant’s trunk?
This is not marginalia! This is a full-fledged illustration. It’s within the text (Liber natura rerum, Thomas de Cantimpré, Librairie de Valenciennes Ms 0320). It illustrates the entry on Platanista.
This is what it looks like in context.
But you know what are marginalia? Let me circle them for convenience.
Know the difference. It won’t save your life but it will make you more popular at a medievalist conference.
my anhedonia is eating me alive so i’m making these mental illness memes to cope
Mythological Deer - Snawfus
“While posing no threat to humans itself, seeing Snawfus in the Ozark Mountains is said to be a bad omen, even warning of imminent death. It is an all white deer with blooming plum or dogwood branches instead of antlers. The blue haze that settles over the region in fall and winter is believed to be its breath. One origin story is of a hunter who, when he ran out of bullets, used plum pits to fire at an albino deer. Despite a clear headshot it got up and ran away, and the hunter later heard stories of a deer with plums growing from its antlers.”
🔴 KO-FI
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