This Is Actually Incredible!!! 10/10 Recommend!!

The crux of the anti trans movement is a war on bodily autonomy. They don't want you to have any agency over what you look like, how you dress, who you date, whether to have kids, etc.

They want total control over you. Not just trans people. Not just queer people. You. Everyone.

Trans people are just a scapegoat. They want total control over everyone's self expression. They want the right to mold you into their perfect little cog in their dehumanizing machine.

Happy Trans Day of Visibility. Our rights are your rights. Our destruction is your destruction.

The way my religious trauma is making me feral for this series and this imagery. But I think you could also argue Alecto as Lilith??? It doesn’t fit the holy trinity as nicely, but it makes sense. And Harrow as St. Cathrine, who claimed to have married Jesus, and probably suffered hallucinations.

No but really like...

John is God the Father. Gideon is God the Son Daughter. Alecto is God the Holy Spirit Corpse.

Harrow, devout and devoted nunlet, is an avatar of the Church.

The Holy Spirit moves and works through her as Nona.

And Christ's bride is the Church.

i’m really hoping people haven’t given up on dead boy detectives because i still have it playing pretty much on repeat on my computer every single day trying to up the views (i just leave it playing as i go about my day) and i certainly can’t do that alone

can’t work a lighter cringefail

One thing I adore about Dead Boy Detectives is how brilliant the first ten minutes are. The pacing is incredible. You meet the boys, learn who they are, get a peek at what they want, and are shown what their strengths and weaknesses are.

Straight out the gate, you know that Charles is impulsive and more physically protective, and that Edwin is more intellectual and prone to magic. You learn magic exists and this is a setting where an infinite backpack can happen. Edwin gets a chance to show off his deductive skills with their client, and Charles gets to show off his people skills with both the client and the WWI ghost. Six minutes in and we already know these characters.

You learn that this is how these characters function together, and that they know each other well enough to know each others' strengths and weaknesses and rely on each other and compensate for them, respectively. The pacing is lively and attention-grabbing, and the back-and-forth between the office and the scene while they're on the job allows a fantastic showcase of the contrast between how they work together in different situations.

Then we get a look at the deeper need that motivates our two ghosts: staying together, against all odds, even after death, even in the face of Death herself.

And then we segue into another brilliant bit of exposition. Instead of a long, stodgy talking scene that would slow down the pacing, we get shown slices of Crystal acting strangely to explain what's going on.

In the space of ten minutes, we have met our characters, know what drives them, know their status quo, and are ready for that status quo to be upended, all without a single exposition dump.

No wonder this series series was met with critical acclaim. This is brilliant character writing and pacing. I write for a living, and this intro scene had me turning to the person next to me, saying, "THAT'S how you do it."

There's so much to appreciate about Dead Boy Detectives, but I feel like the script doesn't get anywhere near enough attention. Standing ovation for the absolutely brilliant writing, honestly.

Joy Sullivan, from Instructions for Traveling West: Poems; “Of Wildflowers”