Illustrations By Maria Bubleva For A 1989 Russian—Soviet—edition Of ALICE IN WONDERLAND. I Love The

Animation drawings from the “Mr. DNA” sequence from Jurassic Park (1993).

Behind the scenes of ALIEN (1979).

Concept art by H.R. Giger and William Malone for the latter’s unmade movie, DEAD STAR (1992).

William Malone: “In 1992, I was asked to develop a Sci-Fi project for Imperial Entertainment. I came up with a script called Dead Star. The story revolves around the finding of the “Thanatron”, a device conceived on a planet in deep space called Daveros. The huge machine (designed by Giger and standing some thirty feet high) was designed as the ultimate machine in the domain of death. It was capable of reanimating the living and opening a gate to the world of the dead (specifically Hell). Over-eager astronauts set the corrosive (to the mind) machine into motion and unwittingly release Satan aboard the ship.”

Nighttime in the city. A faint drizzle dampens the alleys. Splashes of candy-colored neon imitate daylight. Ghostly silhouettes roam the streets, followed by their own reflections.

Tokyo (and Osaka) through the eyes of photographer and video game designer, Liam Wong. From his book, TO:KY:OO.

Photographer, Katrin Koenning.

BLADE RUNNER (1982) concept art by Syd Mead.

ALICE art by French illustrator/filmmaker/artist/etc, etc, Roland Topor (1938-1997).

The Fat Trout Trailer Park in Deer Meadow, Washington. What exactly DID go on there?

Illustration by Justin Todd for a 1987 edition of WIND IN THE WILLOWS.

The 1933 KING KONG armature.