Congrats, You Got Your Wish

Reblogging to save this

(if it wasn't very clear from the context this was posted before the release of season 2)

The Magnus Protocol Season 2 predictions/hopes bingo

now we just wait for the 2nd season to drop and see if any of these are correct or just ramblings of a madman

Oh I love this an ungodly amount

I don't owe you my heart

And I don't owe you my body

But you should know that I'm sorry

For being careless with you.

Sad boy Jonathan Sims the Jarchavist

Updated my Spiderman OC yet again.

Alright, let’s do this one last time….

My name is Lucas A. Letter. I was bitten by a LOT of radioactive spiders and now I’m my world’s SECOND Spiderman. Every night I go out and try to take down the criminals of New Light, to get the crime rate down. I want the world safe for my niece. I still remember the stories Spiderman passed down through my family and that’s the life I want for both of us.

Elias “Brutal Pipe Murder” Bouchard

I must try this

Omg it’s babygirl ! ! !

DTIYS by @spookyspeks ( please have this humble offering ) ( I love u )

Ugh, I love all of this!

This one goes out to all the bitches who love some good Safehouse Era Horror. It's me, I'm bitches. I want Jon and Martin to be fucked up and eldritch but I want them to be fucked up and eldritch and loved

(Notes under the cut because I can't help myself. Heads up, I do go into some detail of how Jon gets injured so I can explain my thought process for how I designed his scars. All canon-typical and fairly clinical in tone.)

Here's how I picture Safehouse Jon!

He doesn't need glasses anymore by this point, so he should just be wearing empty frames, but I drew this before I settled on my glasses headcanons. This drawing looks better with the reflection anyways.

He hasn't gotten a haircut since before his promotion to Head Archivist. He doesn't love the weight of it on his neck, but he also uses it to fidget, and he really doesn't want to go through the whole process of cutting it. He's disliked haircuts since he was a kid (People: Bad. Small talk: Bad. Touching: Bad. Loud sounds: Bad. People talking all at once: Bad) and since his time with the Circus he's only grown more reluctant to go and get it done.

At this length his hair is naturally pretty curly but he is. Not taking care of it. I actually put a lot of effort into trying to make it look brittle and tangled (I have a lot of experience lol, my hair is quite thick and I've always hated taking care of it. Yes I am also projecting my feelings about going to a hairdressers onto him why do you ask.)

The various scars were a bit of a strange task, but anyone who has seen my takes on The Bad Kids knows I'm not averse to selective realism in my fiction. Easiest one was the neck, I always pictured Daisy making a vertical cut based on "through the voice box". The larynx is longer than it is wide, so I think Daisy would go for the method that dealt damage across the largest total surface area. Yes I am aware that I'm speaking the same way Martin does when he explains his corkscrew.

The worm scars were easy because I barely drew any. There are a few marks on his cheek, but they're just surface bites. I picture most of his encounter with Prentiss showing on his legs, particularly on the right side, with enough damage there that he starts using a cane after the incident to keep weight off his right leg. More research to be done on this particular detail.

Finally the burn on his hand from Jude. This was the weirdest one to figure out just because of the nature of the injury. How do you quantify the damage done to an epidermis by a living manifestation of sometimes-boiling wax that can heat and cool at will? I settled on it being a second-degree burn that healed supernaturally fast, containing the damage to the space Jude had direct contact with. He'd probably have some mobility issues there as well. I know there are ways to help with mobility and pain after a severe burn, but I don't know how much of it Jon would actually. Do. Like I said, definitely further research to be done on these last two.

Hey so I'm gonna ask you to stop and consider the horror of the watcher. The helplessness. The guilt. The inherent terror of being a spectator, a participant by proximity but not by action. The horror of not being able to look away, of being a bystander. Jon forgets to blink sometimes. But wouldn't it be so much worse if there were no eyelids at all? That's how I interpret the description of The Archivist being "All Eyes" :D

I love a good Many-Eyed Jon, so I whipped up my own interpretation here. I think the more he Becomes the more he starts to resemble the thing from the dreams. He has a lot more control of it in S5, but it still creeps up on him and he has to consciously go back to a human shape.

The End (4/15) “Dead Poet”

The End (4/15) “Dead Poet”

The Dead Poet is a passive creature in the world of these entities. It does not need to hunt, death comes for all. However, it is often attracted to funerals and spends its time in cemeteries, feeding on the fear from mourning families as they are forced to confront mortality in a very tangible sense. It can also feed on the lingering fear clinging to the bodies as they are buried though this is not nearly enough to satisfy it. It gets its name as those who have encountered it report hearing whispers of past eulogies of loved ones or ones for themselves. The closer the creature is, the stronger the connection to the eulogy (ie. far away is eulogy of distant relative and quiet), too close and that is when you hear the one of your own death. Staying too close to the creature forces you to age and you can feel your body growing weaker. It will approach but will not chase.

Melded into one…

I love seeing fanart of my AU in the wild lol

Chaotic minds malevolent au save me…