Blood. Do we really need it? The answer may surprise you.
oh my god that noise??????
The gaang plays a stupid game which basically tests how good zuko is at finding shit.
It starts off with aang trying to make zuko more likeable by showing how good he is at finding things. He hides their supplies in a weird part of the western air temple and is like “don’t worry. I’m sure zuko can find it by the end of the day.” He finds it in ten minutes.
The game gets more ridiculous. Aang hides their supply bag in secret rooms that not even he knew existed up until now. Katara freezes it in a block of ice and submerges it in a nearby lake. Sokka trains Appa to keep it in his mouth for long periods of time without swallowing it. Zuko finds it every damn time.
They’re impressed and somewhat unsettled by how good he is at this game. But they absolutely lose their shit when it comes to toph’s turn. She hides the supply bag deep underground and assures them that zuko can’t possibly find it unless he magically became an earth bender and learned seismic sense overnight.
Zuko kinda struggles with this one until he walks over the patch of dirt where toph buried the bag. It looks normal but he feels...different somehow?
Everyone’s thinking “oh god. Oh no. He can’t possibly do it. Don’t tell me he’s gonna do it.” Zuko silently points below his feet and the rest of the gaang have a collective breakdown.
Zuko’s like, “does this mean you guys think I’m cool now?” They’re all too terrified to say anything but “y-yeah sure.” And poor zuko is too socially inept to hear the fear in their voices. He just smiles and thinks his friends are liking him more now.
Happy anniversary Hollow Mind you're the first cartoon episode to make me have a meltdown
LOVE the phrase if push comes to shove. if things get fucking violent
A comic inspired by the @linkeduniverse au!! Specifically this comic of theirs
(I've never really done comics before so sorry for awkward spacing!! I definitely have a LOT more respect towards y'all now lmao making comics hard as fuck)
I spent a lot of time on this so pls reblog!!
Me when a customer asks me to help them find something that’s literally right next to them:
Imagine post-redemption Azula putting as much cunning and effort into planning regular events as she did her evil schemes.
Azula, planning Sokka’s birthday party: This will be the best birthday party ever held! Children and adults alike across the world will quiver in awe for generations to come!
Azula: Ty Lee, rearrange those flowers at once! You’re disgracing Sokka, yourself, and most importantly, you’re disgracing me.
I heard someone swear “you mother fuck!” over the phone the other day, and all I could think of was this
I think the Hunger Games series sits in a similar literary position to The Lord of the Rings, as a piece of literature (by a Catholic author) that sparked a whole new subgenre and then gets blamed for flaws that exist in the copycat books and aren’t actually part of the original.
Like, despite what parodies might say, Katniss is nowhere near the stereotypical “unqualified teenager chosen to lead a rebellion for no good reason”. The entire point is that she’s not leading the rebellion. She’s a traumatized teenager who has emotional reactions to the horrors in her society, and is constantly being reined in by more experienced adults who have to tell her, “No, this is not how you fight the government, you are going to get people killed.” She’s not the upstart teenager showing the brainless adults what to do–she’s a teenager being manipulated by smarter and more experienced adults. She has no power in the rebellion except as a useful piece of propaganda, and the entire trilogy is her straining against that role. It’s much more realistic and far more nuanced than anyone who dismisses it as “stereotypical YA dystopian” gives it credit for.
And the misconceptions don’t end there. The Hunger Games has no “stereotypical YA love triangle”–yes, there are two potential love interests, but the romance is so not the point. There’s a war going on! Katniss has more important things to worry about than boys! The romance was never about her choosing between two hot boys–it’s about choosing between two diametrically opposed worldviews. Will she choose anger and war, or compassion and peace? Of course a trilogy filled with the horrors of war ends with her marriage to the peace-loving Peeta. Unlike some of the YA dystopian copycats, the romance here is part of the message, not just something to pacify readers who expect “hot love triangles” in their YA.
The worldbuilding in the Hunger Games trilogy is simplistic and not realistic, but unlike some of her imitators, Collins does this because she has something to say, not because she’s cobbling together a grim and gritty dystopia that’s “similar to the Hunger Games”. The worldbuilding has an allegorical function, kept simple so we can see beyond it to what Collins is really saying–and it’s nothing so comforting as “we need to fight the evil people who are ruining society”. The Capitol’s not just the powerful, greedy bad guys–the Capitol is us, First World America, living in luxury while we ignore the problems of the rest of the world, and thinking of other nations largely in terms of what resources we can get from them. This simplistic world is a sparsely set stage that lets us explore the larger themes about exploitation and war and the horrors people will commit for the sake of their bread and circuses, meant to make us think deeper about what separates a hero from a villain.
There’s a reason these books became a literary phenomenon. There’s a reason that dozens upon dozens of authors attempted to imitate them. But these imitators can’t capture that same genius, largely because they’re trying to imitate the trappings of another book, and failing to capture the larger and more meaningful message underneath. Make a copy of a copy of a copy, and you’ll wind up with something far removed from the original masterpiece. But we shouldn’t make the mistake of blaming those flaws on the original work.
I love season 1 Jayce. He has the moral fiber of a chocolate eclair