ENDO MAKES ME SO SICK GOD DAMN IT!

anyway mei nianqing going "my dear highness" while getting chocked by jun wu who is actively trying to kill him is kinda insane. mnq is the biggest freak in this series and doesnt get nearly enough credit for it

i love seeing discourse surroundning mei nianqing cause i have literally no idea how to feel about him. he's so girlfailiure coded. he runs away from his crazy ex but doen't even try to win custody of their shared pseudo son and just fucks off drawing pictures in some ruins about said ex. he looks down on mu qing for the crime of being poor.he tells little baby hong-er that he's a cursed monster and is going to die. he's all love is love being gay is okay with xie lian but severely judges his taste in men. he literally had the heavenly emperor torment him for centuries and yet his biggest headache in life was his 17 year old lousy disciple. he helps his disciples defeat his evil ex and then returns to him and spends the rest of his life chilling with him under a mountain. he's cool with all sorts of war crimes but draws the line at being poor and dating ghost kings. what even is this man on.

junmei is so funny from xie lian's perspective. imagine your former mentor that dipped 800 years ago finally showing up to court for a proper custody battle, proceeding to expose your #1 lifelong idol to be the insane lunatic that fucked up your life back when you were a teenager and then finding out said insane lunatic that fucked up your life also fucked said mentor 2000 years ago creating the three realms's most toxic doomed yaoi

some soulmates have the red string tied around their wrists or fingers, a long thread that no matter where they are keeps them connected...

fengqing have it super short and tied around their ankles which makes their relationship a fucking three legged race

Hmm, I'm surprisingly calmer this chapter (it's the stress i'm telling ya) and so much yapping to be done for EndoChika istg. I'm sorry for sidelining our savior Ume for the nth time, I'll make it up to you king i swear 😭🙏.

My thoughts on Chapter 152 of Wind Breaker so spoilers ahead!

First, the title ("Symbols") is so very fitting let me tell ya.

Secondly, idk why but Sakura being worried for Umemiya is so heart warming 🥹. My son, oh my, have you have grown so much 🥹😭🤧. I hope he gets to do the "babe this isnt you" that other people have said about in previous chapters, but like in the funniest way possible.

Thirdly, this panel of Ume is insane!! LIKE THE EYEE, THIS IS BOFURIN'S LEADER Y'ALL. BEAT HIM UP UME!!

Fourthly, Endo and Takiishi tattoo lore drop??? Not me thinking that tattoo on Endo's left deltoid m. was exclusively for himself then Takiishi takes of his jacket only to reveal the same tattoo as well!?

AND THEN PROCEEDS TO LORE DROP THAT HE DREW THE TATTOO HIMSELF??? Moreover, TAKIISHI AGREED?? these two make me sick (/affectionate)

(TAKIISHI LOOKS SO TINY HELP WHAT-)

AND OF COURSE HE TOOK GREAT CARE IN FINDING SMTHING THAT FITS TAKIISHI SO WELL.

I made a visual for comparison:

(Btw, the "kuzushi" is actually a JP martial arts term for unbalancing an opponent + there's a story behind the Kunikuzushi: to briefly sum it up, a military commander from the Sengoku Period by the name of Ōtomo Sōrin had obtained an ichibiya likely imported from Portuguese Goa, India and used it for battle in other countries hence its name Kunikuzushi.)

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Man's so gay he literally made a soulmark tattoo for his boo. Even Sakura could see it.

Endo lowkey be fantasizing an period dramas in his head with Takiishi and I can respect that.

Him also being jealous of Umemiya that he's the center of Takiishi's thoughts is so hwkwkfksl. Ume would very much like to not be Takiishi's center of attention and can you please get your boyfriend back, please and thank you. This guy I swear, I'm embarrased for you and all your boy failure. Keep doing you hun.

Lastly, this chapter has made Endo more & more relatable and I don't know how I feel about that so I made memes about it:

He's part of the art community my guys. (Not surprising considering he is a prodigy).

Thank you again Nii-sensei for the chapter and to Jacqueline Fung for the official translation 🙏 Please go and support them via the official international release in Kodansha.

K MANGA

K MANGA - You can read the latest chapter on the Kodansha official comic site for free!

K MANGA - You can read the latest chapter on the Kodansha official comic site for free!

(P.S. I've decided to move my wbk content on a new blog specifically for wbk. That also means new chapter rants will be there to for the forseeable future. So if you wanna check that out, come visit me @transient-winds )

Some foreshadowing of FQ's precious friendship I missed before.

This means them working together looks exactly like them about to strangle each other.

It also means it's indistinguishable to Xie Lian, who both knows them best but also doesn't know them at all. Which is a reoccurring theme in the book, someone who is the most intimate with someone still not really knowing them.

Anyway, this literally means every time they've been seen arguing by third parties, they could have not been arguing at all. Can you fucking imagine. Seeing them at a table looking like they're hissing and barking and the end product is "...okay so we're getting the chicken and the eggplant." "And the salad." "Right, the salad, too."

Fucking maniacs.

I just want to say, before anything else, that I love your blog! It's so helpful to me when I write things. I'm also sorry for how long this ask is going to be. I normally ask anonymously but it won't let me put the photo in.

I really like this hanfu set but I don't know exactly what dynasty it's from, or even if it's actually historically accurate.

I also wanted to ask about the hanfu from Flourished Peony, and how accurate they are. Specifically that one pink round-collar hanfu Mudan wears when she's getting flowers from the mountain that I thought was a men's item, rather than a women's one.

Sorry about the long ask!

Going to answer both of these together since they're about the same show.

About the hanfu in the picture, this is a Ruqun (襦裙) set from the Weijin. The biggest giveaway is the stripe at the sleeves (it looks like 2 stripes but I have another pic of this outfit and you can see it's actually 1 decorative stripe with two bright borders). Also, if you look at this pic below with it untucked in the skirt, you can kind of see that there's a horizontal piece of fabric along the waist area.

If you take a look at my post about the Ruqun (here) you'll see an artefact that's very similar.

For Flourished peony, I'm only going to comment on the hanfu as I don't have enough knowledge about Tang dynasty hair or makeup right now to make any judgements. I'm also not looking at the patterns on the fabrics, I'm literally only looking at the styles of the clothing themselves.

Disclaimer, I haven't watched the show. These photos are from Google and Baidu promotional pics, and I did click through a few eps to take screencaps.

And if anyone has a screencap of, or can let me know which episode, the "pink round-collar hanfu Mudan wears" that's mentioned in the ask I'd really appreciate it (I tried looking for it but couldn't find it T__T)

Looking briefly through some of the posts regarding this show, it seems the production team put a lot of effort into recreating the Tang Dynasty aesthetic, from costumes to props (there are some people who have found props and matched them to museum pieces). For the most part, the clothing seems appropriate for the time period, the only nitpick I'll do is that it seems to mix together clothing styles from early Tang all the way to late Tang (but the show isn't set in a specific period of the Tang Dynasty, so they can kind of get away with that).

Most of the men seem to wear the round-collar robes that was most common during the Tang Dynasty (my post on it here).

This style of qixiong dress (over-bust dress) seems to be most common in this show, and definitely a staple for women's hanfu during the Tang Dynasty.

If you look at the width of her sleeve here, it doesn't appear very wide. Sleeve width became wider and wider during the Tang Dynasty, so looking at these sleeves it seems more early-going-into-Gold-era Tang (my post on Gold-era Tang hanfu here).

This style looks more early-Tang with the very form-fitted sleeve and the non-qixiong skirt. I can't see clearly the pattern of her dress here, but early Tang skirts often had alternating coloured blocks on their skirts (called jianqun/间裙子)(my post on early Tang here and here).

I can't tell clearly if this dress is a qixiong dress, or a hezi dress. Hezi dresses so far are not backed by any artefacts, there are rumours of its existence but nothing has been unearthed to verify it (someone asked me about this, I posted on it here).

Looking at the long outer robe with the wide sleeve, even if this was a qixiong dress, this would be late Tang, edging into the Five Dynasties post-Tang (my post on this here).

In the first pic, the two maids are wearing outfits that are very typical in early Tang. The collars, the little vest/half-sleeve of the shirt, etc.

I'll nitpick that historically, Chinese capes did not have hoods attached. They came separately.

You can see in this pic (from the 1987 Dream of the Red Chambers), the woman is wearing her cape, the man is holding the hood for her.

My personal theory is because of the various hair styles women have, and the various hats/guan (head pieces) men wear, a separate hood offered more flexibility. Like in this pic from Romance of the Three Kingdoms (1994), he's wearing a very tall guan so trying to fit it under a hood that's attached to the cape would be difficult. But this is all just my guesses, don't quote me xD

This maid is wearing a round-collared robe usually associated with men, but actually during the Tang Dynasty it wasn't uncommon for women to wear this style of robe as well.

This man has half the robe on, the other half off his shoulder, displaying the half-sleeve underneath. This was a common way men wore their robes in casual situations (it looks like he's hunting) (my post on this here).

I took this screenshot because you can see the difference in lengths between these two men's robes. One is calf-length, one is ankle-length. Men's robes also got longer as time went on during the Tang Dynasty. It's possible this servant is wearing a shorter robe to make walking easier, but going by the length of the man in red, this should be at least late-Tang Dynasty (post mentioning robe length here).

This outfit's sleeve is very wide, indicating later in the Tang Dynasty. I think people believe form-fitted sleeves were more for younger girls, servants, or women of lower class who had to work and large, wide sleeves were for higher-level women or older women who sat around all day. In actuality, sleeve width was an indication of time period during the Tang Dynasty (for both men and women).

This look is straight out of a Dunhuang Buddhist donor mural. They painted these to commemorate people who were devoted to Buddhism and/or gave a lot of offerings, you can find these murals at the Mogao Caves in Dunhuang City today (my post on this here).

I know I said I wouldn't discuss hair but just this one, since it's such an iconic look for the Tang Dynasty. This hairstyle is a clear replica of the Ladies with Flower in their Hair painting (簪花仕女图), but they've changed the clothing. This painting was originally believed to be from the Golden-era or Mid-Tang, but in recent years historians believe it's more likely to be late-Tang or Five Dynasties (possibly even Song Dynasty) painted. Even in China a lot of people still associate it with the Tang Dynasty.

So overall, the show's production team clearly did research to replicate Tang Dynasty clothing. For the most part, they did a good job, no cross-dynasty clothing being tossed around. There's a bit of mish-mash for which period of the Tang Dynasty the clothing's from, but that's not a huge issue. Given some of the crazy costumes that's come out of period dramas in recent years, big applause to the production team to the costuming department.

Can you imagine being Pei Ming, God of Love, able to see when people love each other, able to see their emotions flowing between them, and having to watch Feng Xin and Mu Qing being the biggest clowns and making a ruckus across the Heaven with their fights while insisting that they don’t like each other?? I can’t decide if he’d just be wildly entertained or wanting to tear his hair out in frustration and despair.

eng ver of endo and takiishi profiles (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧

Hello, is there any evidence and/or depictions of Tamg Dynasty women actually wearing the hezi as an undergarment rather than an outer garment?

(If you don't know what "hezi/诃子" is, I'll put it under the Keep Reading.)

Hi!!

I checked on Baidu, I checked on Google, I checked on Bili, I checked in my Hanfu books, I checked on 小红书 (popular Chinese app), and from all the information I gathered the simple answer is:

No.

As of right now, there are no artefacts or paintings depicting women of the Tang Dynasty wearing the undergarment hezi (诃子) inside. I imagine one of the difficulties with undergarments is most depictions (paintings, figures, etc) wouldn't show people wearing it without outer wear, so we can only rely on tomb excavations to unearth actual garments, and right now none have been discovered.

But you never know what they might uncover in the future! I heard when they expanded Xi'an's airport last time they dug out 3,500 tombs, so they're always finding new things :D

Hezi (诃子) is a woman's undergarment that many people thought was worn during the Tang Dynasty. It was strapless and covered the bust, then gradually evolved to be worn with portions being viewable on the outside (the green strip across the bust would be the 'hezi'):

However, no actual artefacts have been uncovered to show anyone wearing hezi inside, so the official status of this garment is "under question (存疑)".

A lot of Hanfu stores sell hezi dresses (诃子裙) which is actually not a historically accurate garment. They connect the top and bottom portion so it's just one long dress rather than separated (and they added straps for convenience). It does tend to be a very "stereotypical" look for the Tang Dynasty for people who aren't familiar with historically accurate Hanfu: