Concept art for JURASSIC PARK (1993) by Craig Mullins (image 1) and John Bell.
A collection of non-threatening Christmas cards.
Now that I’m at it: merry Christmas! Happy holidays, whatever you prefer. Merry chzwinklablotz. You’re a good bunch. May something you’ve long wished for come true in 2021 (unless you wish me dead of course).
H. R. Giger designs for POLTERGEIST II: THE OTHER SIDE (1986).
The three Technicolor Phantoms (Chocolate, Strawberry and Vanilla) from SCOOBY-DOO episode, “Ghost of the Bad Humor Man” (1976).
The Changelings, from Cyrus Graner's Among Gnomes and Trolls 7 by John Bauer (1913)
Promotional art by Mark Stutzman for JURASSIC PARK (1993).
Concept art for WALLACE AND GROMIT by Nick Park.
Concept drawings by H.R. Giger for Alejandro Jodorowsky's unrealized DUNE. 1970s.
Illustrations by Ralph Steadman for ALICE IN WONDERLAND. 1967.
Art from THE LONG TOMORROW by Mœbius and Dan O’Bannon. The comic, published in French magazine MÉTAL HURLANT (Heavy Metal) in 1976, was an obvious influence on the look of BLADE RUNNER. (Mix it with Syd Mead’s art and you’re there basically.) Its influence reached wider however, as films such as Escape from New York, Tron, and Alien all contain elements inspired by the comic’s world and make-up.
Señorita Gato, by Stephanie Chaves.