The Changelings, from Cyrus Graner's Among Gnomes and Trolls 7 by John Bauer (1913)
ALICE (1988) by Czech artist, Jan Švankmajer.
NIGHTMARE ON ELM STREET fun.
Concept art for Jurassic Park (1993) by Craig Mullins (images 1 and 3), and David J Negron (2 and 4).
Everybody was talking about Jurassic Park at the time. It was that kind of film (everything is much more fragmented these days). The T-Rex was like the T-1000, an obvious breakthrough, a new Eighth Wonder. Audiences hadn’t seen that before: a walking, breathing dinosaur. It was as if dinosaurs roamed the Earth again.
Concept art for JURASSIC PARK (1993) by Craig Mullins (image 1) and John Bell.
The 1933 KING KONG armature.
“Punk, acupuncture, and sci-fi”: Blondie’s Debbie Harry wearing an airbrushed, form-fitting bodysuit painted by HR Giger, who also directed two of her solo videos and designed the album art for her album, KOOKOO (1981).
Wonderland Expedition Kit, by Absinthetic.
Containing, among other things: a Card Guard specimen, mounted; a caterpillar, preserved; a rose painted red; a looking glass; Cheshire Cat teeth; “Eat Me” and “Drink Me” bottles; a vial of water from the Pool of Tears; a map of Wonderland.
Early model sheet for the Carpenter, from Disney’s Alice in Wonderland (1951).
The three Technicolor Phantoms (Chocolate, Strawberry and Vanilla) from SCOOBY-DOO episode, “Ghost of the Bad Humor Man” (1976).
Gillian Anderson as Morticia Addams, photographed by Mark Seliger in 1997.